Studio Space

My methods, insofar as art creation are concerned, resemble organized chaos. Each show that is displayed in the Oxbow Gallery hosts a reception allowing the public to come look at the studio. Many people come upstairs where there is community work space as well as the studio space of myself and several other artists.

 It's nice to have studio space that is separate from the main workshop area. The community work space upstairs is a "dry" area meant for things like drawing, book arts, and dry-point in stead of inking, painting and screen printing. 

 Multiple signature books with Penny and Carol

Between six and seven people can comfortably use the area at one time and still have the room to work. I like teaching in this area because there is little to distract my students. When the shop is closed to the public (on days when only members and resident artists are allowed to visit) this is a wonderful place for me to spread out. Come by in person on Thursdays to see it live!

Printmaking in Reno

Recently I was interviewed by the University of Nevada, Reno's school newspaper, the Sagebrush, about printmaking in Reno and it occurred to me that many people in my own community are unaware of the art that I create and the community here. Read the complete article at the Sagebrush website.

If you've ever visited Reno, NV you are aware of it's faults and charms. Reno is a lovely, scenic city where nearly every street corner affords enlightening views of the Sierra Nevada and Ruby Mountain ranges, there is world class skiing within forty minutes of driving as well as the eighth deepest lake on the planet - the famously clear Lake Tahoe. However, it is a relatively small city which means that many things more common to cosmopolitan areas are lacking.

Reno is lucky to have a nationally ranking art museum in the Nevada Museum of Art, an institution that not only hosts and displays works from Europe and abroad but offers local artists the chance to show work as well as hosting classes at their E.L. Cord Museum School, another place I teach.

There is a wonderful group of printmakers who call themselves the Printmaker's Conspiracy. Printmaker's Conspiracy meets up routinely to share new techniques, discuss current work, and develop group projects that are either collaborative or simply provide the opportunity to show work as a club.

An altogether different kind of printmaking - letterpress - is what happens up at Robert (Bob) Blesse's Black Rock Press. Affiliated with the University of Nevada, Reno, the Black Rock Press was founded in the 1970's, it is a specialized publisher who invites authors to print work with them in limited editions. Students of the University who take book arts classes have access to multiple presses, all letterpress machines, the oldest of which is a cast iron Colombian newsprint press which was created in the 1800's and is still in working condition.

Oxbow Press is the newest addition to the printmaking scene in Reno, having opened in June of 2010. We are still in the process of finalizing our 501C3, but are operating at full power hosting classes in printmaking, book arts and more. As opposed to being a school sponsored organization or a small group Oxbow Press is an educational opportunity for anyone interested in delving into the fine and fascinating world of printmaking. Our classes are affordable considering the expense of acquiring three presses, each of which are worth several thousand dollars, as well as allowing certain materials to be accessible to members and workshop students at any time. Most importantly we offer free events and an admission-free gallery where the public can look at print art. The press is also open to the public three days a week - Thursday, Saturday and Sunday - if neighbors or friends are interested in taking a tour of the gallery, print shop, resident artist studios and more.

Book Arts and Printmaking

If  you weren't aware - I LOVE books. When I realized it was possible to combine my love for books with my passion for art things got exciting for me very quickly. Lately I have been teaching book-making classes at Oxbow Press. It's quite different being a teacher, I enjoy being able to pass on my skills to enthusiastic learners and the process is quite fun.

 The books and box I made with techniques I learned at the Black Rock Press with Katy Govan and Bob Blesse, the framed print is a four color etching of my kitty in a window.

There are many different avenues to explore in the realm of book-making. Many artists focus on one part of the book, such as the binding, the enclosure, the cover paper (or cloth) or the text block. My art books are usually focused on content. A book full of empty pages says many things to me, it speaks of potential, of opportunity, but also of lack. If I make an "art" book their pages include images, story, or more.

These are books I have made with Katy Govan as well as my first two book arts groups. 

The process of making a book is exact, precise and structured. Because traditional book-making is in sharp contrast to my usual methods I find that it can be a great way to focus and relax simultaneously. There are many avenues through which I can make my mark on the book, but at a certain point it all comes down to the process. Tomorrow will be the last class in my book-making series, we will be making multiple signature hard-bound books. Stay tuned for further pictures.

Current Works

In the past my work has been more focused on mythology/literature and their roles influencing modern culture. Lately my inspiration has been much more limited.

Growing up with dogs was lots of fun, but even as a little girl I always wanted a cat. When I moved out and my partner and I decided to get a pet cats were on the top of the list. Ahab was our first adoptee from the SPCA of Reno. Crotchety, dignified and majestic Ahab is as obsessive about cleaning himself as his namesake was about cetaceans. Only a few months ago the fat, fluffy and less than intelligent Alphonse decided he would come live with us. The cats interact with each other, us, and their environment in many different ways. Though they are both cats they both deal with things very differently. My "cat art" explores the intentions and imaginings of my two pets.

One of my first forays into screen-printing.

 These are images from a project I did for the Reno News and Review produced by the Sierra Arts Foundation. Candace and Alexandria Nicol, Carole-Ann Ricketts and myself all decorated RN&R news stands to be displayed around Reno in an effort to spread art and awareness about Sierra Arts and Oxbow Press. The quest is still on to find where they actually placed my newsstand, stay tuned for more pictures when I find it.

Kittyzilla Attacks!

 Kitties in the Catnip Tree

My favorite - Kitty vs. Kraken

Traditional Art Forms and Eco Friendly Methods

Printmaking is ancient. One of the first things that attracted me to printmaking was the knowledge that I would be learning one of the oldest art forms known to man! Through the centuries relief printmaking has stayed essentially the same but there are many other techniques that have been created or discovered only recently. Traditional methods are important to me, I relish the knowledge that I participate in such an old art form. However, many of the materials and procedures first used for printmaking are very toxic.

To protect the printmakers' body and the environment, Oxbow Press is as "green" as a print shop can be! Instead of using mineral spirits or paint thinner we use vegetable oil for cleaning plates, inks, and tools in combination with safe cleaning solutions like Simple Green. Unfortunately there are some printing processes that cannot be done without toxic materials. However, it is possible to complete most printing techniques with oil, water or alcohol clean-up.

Stay tuned to check out photos of my studio at Oxbow Press (www.oxbowpress.org)